Retrouvez plus d'infos sur notre page Revue de presse pour en savoir plus. 19 articles de presse Critiques Spectateurs Très beau et tout en finesse, le réalisateur qui m était a ce jour inconnu signe une œuvre poétique possédant une grande force d attraction et qui en dépit d une certaine lenteur pas nécessairement gênante parvient à nous garder sur nos sièges. Très bon scénario malsain sans pour autant dépasser la ligne de la grande violence, le réal parvient a nous emporter deux heures durant dans son univers étrange mais extrêmement intéressant. Bon... Je pense pouvoir dire sans trop me tromper que les dialogues et la direction d'acteur de ce film sont surement les plus mauvais que j'ai vu cette année. Plus téléguidés et rigides que ça, tu meurs. Ça peut paraître con de commencer une critique comme ça, mais à mes yeux, c'est vraiment l'élément fondamental qui m'a fait prendre ce film pour un petit bousin. Jamais je n'ai pu me mettre dedans. Certes, il y a une jolie... Lire plus Projeté lors du 15e Festival de Deauville Le documentariste français Oliver Meyrou ironisait sur la place de la télévision dans l'art en disant « Le cinéma est un art, la télévision est un meuble ».
After that, the film races towards its head-smashing climax, with the incredibly long one-on-one duel between Donnie Yen and Collin Chou ranking up there for high-impact bone trauma. Besides completely owning Chou with his powerful legs (Ma seems to have a thing for clamping people's necks with his scissor-like thighs), Yen repeatedly smacks Chou into whatever stationary object is nearby, e. g. cinder blocks, supporting beams, or cement walls. Following that, Chou usually writhes in pain on the floor, while Yen stands (or dances) around, waiting for Chou to get back up. Rinse and repeat. Those who like to watch someone get smashed into floors, walls, bricks, and beams while someone else prances around victoriously should get a kick out of Yen's punishment of Chou. Never has a man had more trouble with architecture or flamboyant grandstanding than Collin Chou. It's action addicts - or maybe action film apologists - who'll find the most to like in Flash Point. This is far from good filmmaking, but its purity as screen fighting junk will make it review-proof for a good many.
Missandei says goodbye to Greyworm before the war begins. Sansa has an emotional conversation with Jon about the importance of keeping Winterfell from falling. Battle of Winterfell. Jon leads the Unsullied and wildings outside of winterfell, awaiting the arrival of the wights. Soon they begin to arrive and the tension is chewed in the environment. The fight begins. It looks like it's matched, but then Jon uses the surprise factor with a signal for the Dothraki to appear from their hiding place. They use a specific formation to surround all the wights in a circle, and then Bronn throws an arrow with fire from winterfell to set them on fire. They do not take long to finish with the remaining wights. When they think that they have already won the first part of the war, they begin to notice a more intense cold and the appearance of more snow. Then White walkers appear with their horses and giants. Jon orders to fold all the troops inside winterfell, but the giants are in charge of destroying the entrance of Winterfell and the White walkers enter inside.